Inspired by the fabrics his grandmother collected, he salvages second-hand clothing discarded on beaches, in landfills, or at the Kantamanto Market, the largest hub for second-hand textile resale in Ghana.
Through dyeing and assemblage techniques, he transforms used garments as silent witnesses of past lives questioning identity, overconsumption, and colonial heritage.
At the intersection of history and sustainability, Emmanuel Aggrey Tieku’s work initiates a reflection on industrialization and climate change.
His installations question the relationship between fashion, identity, and the environment, revealing how the excesses of global textile industry shape local realities.
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